The World of Wearable Arts (WOW)

The 20th season of The World of Wearable Arts has once again delighted the 35000 plus enthusiastic audience. Whilst acknowledging the input of those in the Nelson region, the shift to Wellington has certainly allowed the show to 'fly'. I recall Suzie Moncrieff saying in a radio interview that in Nelson performers could only come up from under the raised performance area, while in the TSB Arena they can now also come down from the gantries in the ceiling. And fly they do! The performers and the behind-the-scene team are incredibly slick and play a major part in carrying the show. And the overall winning entry never seems to fail, it always deserve the honour; and the viewer's choice does the same – who could resist Perfect Pins!
With any event that continues over a lengthy period of time, the 'goal posts' need to rise to keep that spark which is its very essence. What we considered had the wow factor five years ago, might not pull the same punch this year. Trends and creative design skills constantly shift and reflect the maturity of not only its designers (people who submit garments for selection) but also the designers of the supporting acts. Getting these all to come together is surely a mighty challenge.
It has now been confirmed that WOW will be continuing for another four years in Wellington. I can't imagine anyone being upset with this!
The images following here have no connection with WOW whatsoever, they are simply details from a piece completed this week. I am pleased with the outcome. However, I often wonder whether this satisfaction reflects relief that I have finally resolved and completed the piece, rather than the quality of the outcome. If I still feel the same satisfaction in a few months time when I re-visit the piece, then my feelings are justifed. Time is always the best judge.




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