Writing some text

So far this week I have added extra embellishment to three of the pages. Then I decided that a book is not a book unless it has some text. So I have been working on a series of words to add to each page.

My original sequence for the pages has now been abandoned as the text altered the sequence. Never mind, this is part of the process and Plan B can often be much better than Plan A. We just have to be flexible.

Here are the three pages I have worked with, and some of the text which I have printed on to paper which has had a colour wash and before drying, it was pressed with a paper towel. This has left an impression looking something like a textile which I feel is appropriate.

The book covers

Somewhat of a slow week this week but I have been working on the covers of my re-visited art work which I am making into a book. The covers will determine the final size of each of the pages. It has taken longer than expected as I have added a few extra elements.

The rest of the pages are cut out but need to be trimmed before assembly, and will probably get extra elements as well.

I've done a shocking thing...

About two years ago I completed a large piece called Escape. At this time I was not totally sure whether I really liked the outcome or not, so it was put into storage for 'time out'.

Recently I had the idea that I might cut it up and turn it into a book, thus giving it a second life. I printed off a small photo of the piece and then ruled several size grids to match on pieces of tracing paper. This allowed me to choose an appropriate page size which would present the best outcome for each page.

The original piece on completion.

The printed image with a series of grids on tracing paper.

This is my first print of the piece but the black cartridge needed a shake-up so the colours have printed incorrectly. It doesn't matter here as I have used it to simply sort the sequence of the pages.

And then I started cutting out the pages.....

Testing, testing....

I like to tidy up my workspace after having decided that a work is finished. It makes for a good fresh start when thinking about the next piece.

I am often impressed with my sample cloths which are used for testing colours, applications and other such things. Because they are of no consequence, applications are rather willy-nilly. Somehow, they often turn out quite good. Here are three which I have pasted into my workbook.

I think it is finished....

This week I have added some figures to the lower portion of my experimental piece. I shall now put this away for some time and when revisiting, decide whether I need to add more, or whether I feel it is successful or not.

This piece did start out as an experiment way back in February so has taken some time to complete. I quite like the outcome and it could well get exhibited at some time.

I have called it Shelter as both the garment and the house shape offer shelter of their kind.

Diana Parkes, © Shelter, 2011, 48 x 60cm / 19" x 24". Textile pigment on cotton canvas. Multiple surface design techniques.

A leap in faith....

Further work on my experimental piece this week. Not quite finished yet but getting close.

Here is the piece after doing the following.....

To add the black background smudges I first cleared an old formica table top (any smooth surface would do) and taped registration marks for the piece. The areas where I did not want the smudges were masked off with freezer paper.

Then black pigment was painted on to the table surface, the piece turned over and rolled down on to the black pigment. The result is as seen in the first photo.

Mirror-imaged text

A few weeks back I tried something new on my experimental piece. I wanted to add some text, and this is how I went about it:

1. Having decided on the text, I chose a size and font, then printed out a copy in reverse. For those not sure how to do this, simply select the following; Print - Properties - Advanced - Page Layout - Mirror Image - Print.



2. I then painted some black textile paint/pigment on to a sheet of glass, the amount of application being relevant to the end result - some testing is important.

3. I then took my experimental art work, masked off the areas to be avoided, and placed it face down without pressure on to the ink spread on the glass.

4. On to the top of this (now the back of the work), I placed the mirror-imaged text. With a pencil I then traced the text with a firm hand. This picked up the black paint/pigment. Some background paint/pigment will also transfer but once again testing should get a satisfactory outcome.

5. Removing the mirror-imaged text and lifting the art work reveals the text the right way round!